Friday, June 26, 2009

Recording Live vs Overdubs

When I’m hired by a band to produce their album, it’s often up to me to decide the best approach to take in the studio. The principal choices are live (all the band members at the same time giving a “live” performance in the studio) versus overdubs (creating a band sound by tracking members of the band separately and then putting all the instrument parts together in the final mix). By reading a little about the advantages and disadvantages of both approaches, hopefully you will be better able to decide which one will be best for your band.


Advantages of Tracking “Live”

If (and this is an important “if”) the band coming into the studio is well rehearsed and experienced, a “live” studio recording can be a great approach. I put “live” in quotes because the recording studio (whether everyone plays at once or overdubs one or two at a time) is seldom a truly live experience. Part of the reason that studio recordings sound as polished and detailed as they do has to do with the fact that the studio is a very controlled sonic environment. There are isolation booths so that individual parts can be fixed without having everyone redo their parts and even if everyone is in one primary room to record, it’s not often set up like the stage of a local club or venue with an audience, applause and general room noise. All this to say that what “live” really means is that the members of the band are given the opportunity to listen and respond to each other while they’re all playing together in the studio. If, as I said earlier, the band is well rehearsed then this arrangement can produce excellent results.

Disadvantages of Tracking “Live”

The studio is, by its very nature, an intense and often stressful environment. By tracking a band all together and hoping for a perfect (or almost perfect) take, you’ve added a lot of variables that wouldn’t ordinarily be present in an overdub scenario. For example, if the drummer is having an off day, it could color everyone’s performance. This is why I brought up the well-rehearsed and experienced qualifier in the earlier paragraph. The more rehearsed the band members are, the less likely one member won’t be able to hold his or her own when the light goes red. There are, of course, ways to minimize the risks in a live tracking scenario including isolating each instrument in its own room or booth so that individual fixes can be made after the keeper take is selected. Also, by using a click track while recording, the engineer and/or producer can create a composite (or “comp”) performance by splicing together the best parts of several performances.

Advantages of Overdubs

Using the overdub approach, the band has the option of tracking different instruments separately. This allows the band, for example, to get the drums and bass parts exactly right before overdubbing electric guitars or keyboards. It also allows the producer and/or band members to focus on one thing at a time and get it the way they want it before moving on. The way I generally approach sessions like this is to track the drums and bass with a scratch version of one additional instrument and a rough vocal so everyone knows where they are in the song. It’s also useful to have a click track running in these sessions as it provides a common rhythmic link that everyone in the band can use to keep him or herself in time. Then, when the drums and bass are solid and provide a good foundation, we add acoustic and electric guitars, keyboards and finally vocals and harmony vocals. This lower pressure and increased focus on individual parts can lead to tighter arrangements and performances.

Disadvantages of Overdubs

The risk of tracking one or two instruments at a time is compromising the overall dynamics and feel of the track. In other words, unless the musicians and singers have enough studio experience to be comfortable in what is a rather unnatural musical environment, the performances can sound lifeless and disjointed. The way to combat this is to make sure that if your band isn’t overly experienced in the studio you use a producer who is. A good producer will help guide the band members through the process and their performances to help capture the spontaneity and energy of a live performance in a less-than-live environment.

No One Way To Do It

There is no correct way to record a band. There are multi-platinum selling examples of both approaches. Ultimately, the decision should come down to what approach leaves your band the most relaxed and focused in the studio which will almost always lead to the best-sounding results. You may need to try both approaches to see what works best for your band. No matter which way you go, there is never a substitute for rehearsing your band as much as you possibly can before you start the actual recording process. Going into the studio confident and well rehearsed will make the whole studio experience easier and more enjoyable for everyone involved. Good luck!


By Cliff Goldmacher

Cliff Goldmacher is a songwriter, producer, engineer and the owner of recording studios in Nashville and New York City. When he’s not writing songs, Cliff is also a regular contributor to EQ Magazine and Pro Sound News as well as a number of online blogs. He can be reached at cliff@cliffgoldmacher.com

Dangers of Gossip

Gossip often is simply untrue - and when it is, the person who passes it along is guilty of lying. But even when it might be true (or partly true), you don't know whether or not it's true - and it's still designed to hurt someone or tear them down. The Bible warns, "A perverse man stirs up dissension, and a gossip separates close friends" (Proverbs 16:28).

But gossiping is also wrong because of the motive behind it. When we gossip, we aren't trying to help anyone - far from it. Instead, we're usually trying to call attention to ourselves - showing others that we're "in the know" and important. But this is wrong - both in God's eyes and in the eyes of others.

Ask Christ to forgive you - and most of all, ask Him to rule your life, including your tongue. The Bible says, "Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs" (Ephesians 4:29).

Thursday, June 25, 2009

Farrah Fawcett

Farrah Fawcett (February 2, 1947[1] – June 25, 2009[2]) was an American actress. A multiple Golden Globe and Emmy Award nominee, Fawcett rose to international fame when she first appeared as private investigator Jill Munroe in the TV series Charlie's Angels in 1976. Fawcett later appeared off-Broadway to the approval of critics and in highly rated television movies in roles often challenging (The Burning Bed, Nazi Hunter: The Beate Klarsfeld Story, Poor Little Rich Girl: The Barbara Hutton Story,Margaret Bourke-White) and sometimes unsympathetic (Small Sacrifices). Fawcett was also a pop culture figure whose hairstyle was emulated by millions of young women and whose poster sales broke records, making her an international sex symbol in the 1970s and 1980s.


Early life


Farrah Fawcett was born Ferrah Leni Fawcett in Corpus Christi, Texas, the younger of two daughters. Her mother, Pauline Alice (née Evans), was a homemaker, and her father, James William Fawcett, was an oil field contractor.[3] She was of French, English, and Choctaw Native American ancestry.[4][5][6] Fawcett said that the name "Ferrah" was "made up" by her mother because it went well with her last name. The "e" was later changed to "a", as "Farrah".[4][7]

A Roman Catholic,[8] Fawcett's early education was at the parish school of the church her family attended, St. Patrick's Roman Catholic Church in Corpus Christi.[4] She graduated from W.B. Ray High School in Corpus Christi in 1965. From 1966–1969, Fawcett attended the University of Texas at Austin, living one semester in Jester Center, and became a sister of Delta Delta Delta Sorority.[7] She appeared in a photo of the "Ten Most Beautiful Coeds" from the university, which ran in Cashboxmagazine. A Hollywood publicist saw the photo, called Farrah and urged her to move to Los Angeles, which she did in 1969,[9] leaving after her junior year with her parents' permission to "try her luck" in Hollywood.[4]

Career

Early career – TV commercials

In the late 1960s and early 1970s, Fawcett appeared in TV commercials for consumer products, including Noxema shaving cream, Ultra Brite toothpaste,[10] Wella Balsam shampoo, and the 1975 Mercury Cougar.[11] Later in 1978, after achieving TV stardom, she appeared in a series of commercials for her own brand of shampoo, marketed by Fabergé.[11]

Early TV series appearances

Fawcett's first TV series appearance was a guest spot on I Dream of Jeannie in the 1968–1969 season, followed by guest appearances in Owen Marshall: Counselor at Law.[4] She later appeared in The Six Million Dollar Man with Lee Majors, which first aired in 1974,[4] The Dating Game, and several episodes of Harry O alongside David Janssen. In 1976, Pro Arts Inc., pitched the idea of a poster of Fawcett to her agent, and a photo shoot was arranged. The resulting poster, of Farrah in a one-piece red bathing suit, was a best-seller; sales estimates ranged from over 5 million[12] to 8 million[4] to as high as 12 million copies.[7]

Charlie's Angels

Fawcett as Jill Munroe in a 1977 episode of Charlie's Angels

On March 21, 1976, the first appearance of Fawcett playing the character Jill Munroe in Charlie's Angels was aired as a movie of the week. The movie starred Kate Jackson, Jaclyn Smith and Fawcett (then billed as Farrah Fawcett-Majors) as private investigators for Townsend Associates, a detective agency run by a reclusive multi-millionaire whom the women had never met. Voiced by John Forsythe, the Charles Townsend character presented cases and dispensed advice via a speakerphone to his core team of three female employees, whom he referred to as "Angels." They were aided in the office and occasionally in the field by two male associates, played by character actorsDavid Doyle and David Ogden Stiers. The program earned a huge Nielsen rating, causing the network to air it a second time and approve production for a series, with the pilot's principal cast except David Ogden Stiers.

The series formally debuted on September 22, 1976. Fawcett emerged as a fan favorite in the show, and the actress won a People's Choice Award for Favorite Performer in a New TV Program.[13][14] In a 1977 interview with TV Guide, she said: "When the show was number three, I thought it was our acting. When we got to be number one, I decided it could only be because none of us wears a bra".[15]

Her appearance in the TV show boosted sales of her poster, and she earned far more in royalties from poster sales than from her salary for appearing in Charlie's Angels.[12] Her hairstyle went on to become an international trend, with women sporting a "Farrah Do" or "Farrah Hair" and the hairstyle was even spoofed in various media, including Redd Foxx'svariety show on ABC and Dynamite magazine.[citation needed]

Fawcett left the show after only one season and Cheryl Ladd replaced her on the show, portraying Jill's younger sister Kris Munroe.

The show was a major success throughout the world, maintaining its appeal in syndication, spawning a cottage industry of peripheral products, particularly in the show's first three seasons, including several series ofbubble gum cards, two sets of fashion dolls, numerous posters, puzzles, and school supplies, novelizations of episodes, toy vans, and a board game, all featuring Fawcett's likeness. The "Angels" also appeared on the covers of magazines around the world, from countless fan magazines to TV Guide (four times) to Time Magazine.

The series ultimately ran for five seasons. As part of a settlement to a lawsuit over her early departure, Fawcett returned for six guest appearances over seasons three and four of the series.

In 2004, the TV movie Behind the Camera: The Unauthorized Story of Charlie's Angels dramatized the events from the show with supermodel and actress Tricia Helfer portraying Fawcett and Ben Browder portrayingLee Majors, Fawcett's then-husband.[16]

Dramatic roles

Following a series of commercial and critical flops, Fawcett won critical acclaim for her 1983 role in the off-Broadway stage production of the controversial play Extremities, written by William Mastrosimone. ReplacingSusan Sarandon in the role, she was a would-be rape victim who turns the tables on her attacker.[13][17] She described the role as "the most grueling, the most intense, the most physically demanding and emotionally exhausting" of her career.[17] During one performance, a stalker in the audience disrupted the show by asking Fawcett if she had received the photos and letters he had mailed her. Police removed the man and were only able to issue a summons for disorderly conduct.[18]

The following year, her role as a battered wife in the fact-based TV movie The Burning Bed earned her her first of three Emmy Award nominations.[17] The project is noted as being the first TV movie to provide a nationwide 800 number that offered help for others in the situation, in this case victims of domestic abuse.[19] It was also the highest-rated TV movie of the season.[17]

In 1986 Fawcett appeared in the movie version of Extremities, which was also well-received by critics, and for which she received a Golden Globe nomination for Best Performance by an Actress in a Motion Picture — Drama.[13]

She appeared in Jon Avnet's Between Two Women with Colleen Dewhurst, and took several more dramatic roles as infamous or renowned women. She was nominated for Golden Globe awards for roles as Beate Klarsfeld in Nazi Hunter: The Beate Klarsfeld Story and troubled Woolworth heiress Barbara Hutton in Poor Little Rich Girl: The Barbara Hutton Story, and won a CableACE Award for her 1989 portrayal of groundbreaking Life Magazine photojournalist Margaret Bourke-White.[13] Her 1989 portrayal of convicted murderer Diane Downs in the miniseries Small Sacrifices earned her a second Emmy nomination and her sixth Golden Globe Award nomination.[20]

Art meets life

Fawcett, who had steadfastly resisted appearing nude in films or magazines throughout the 1970s and 1980s, caused a major stir by posing nude in the December 1995 issue of Playboy magazine, which became the best-selling issue of the 1990s, with over four million copies sold worldwide. At the age of 50, she returned to the pages of Playboy with a pictorial for the July 1997 issue, which also became a top seller. That same year, Fawcett was chosen by Robert Duvall to play his wife in an independent feature film he was producing, The Apostle. Fawcett received an Independent Spirit Award nomination as Best Actress for the film.

In 2000, she worked with director Robert Altman and an all-star cast in the feature film Dr. T and the Women, playing opposite Richard Gere. Also that year, Fawcett's collaboration with sculptor Keith Edmier was exhibited at the Los Angeles County Museum of Art, later traveling to the Andy Warhol Museum. The sculpture was also presented in a series of photographs and a book by Rizzoli.[19]

In November 2003, Fawcett was appearing on Broadway in previews of Bobbi Boland, the tragicomic tale of a former Miss Florida. However, the show never officially opened, closing after a week of previews. Fawcett was described as "vibrating with frustration" at the producer's decision to stop the process before it had a chance to succeed or fail. Only days earlier the same producer closed an off-Broadway show she had been backing.[21][22]

Fawcett continued to work in television during the period, with well-regarded appearances on popular television series including Ally McBeal and four episodes each of Spin City and The Guardian, her work on the latter show earning her a third Emmy nomination in 2004.

Personal life

Fawcett was married to Lee Majors, star of TV's The Six Million Dollar Man, from 1973–1982, though the couple separated in 1979. During her marriage, she was known and credited in her roles as Farrah Fawcett-Majors.

From 1982[23] until her death, Fawcett was involved romantically with actor Ryan O'Neal. The relationship produced a son, Redmond O'Neal, born in 1985. Redmond has struggled with addiction. In April 2009, on probation for driving under the influence, he was arrested for possession of narcotics[24] while Fawcett was in the hospital.[25] On June 22, 2009, The Los Angeles Times and Reuters reported that Ryan O'Neal had said that Fawcett had agreed to marry him as soon as she felt strong enough.[26]

On June 5, 1997, Fawcett received some negative commentary after giving a rambling and distracted interview on Late Show with David Letterman. Months later, she told the host of The Howard Stern Show that her behavior was in fact just her way of joking around with the television host, explaining that what appeared to be random looks across the theater was just her looking and reacting to fans in the audience. Though the Letterman appearance spawned speculation and several jokes at her expense, after Joaquin Phoenix's mumbling act[27] on a February 2009 appearance on The Late Show, Letterman wrapped up the interview by saying, "Joaquin, I’m sorry you couldn’t be here tonight" and recalled Fawcett's earlier appearance by noting "[w]e owe an apology to Farrah Fawcett."[28]

Fawcett's elder sister, Diane Fawcett Walls, died from lung cancer just before her 63rd birthday, on October 16, 2001.[29] The fifth episode of her 2005 Chasing Farrah series followed the actress home to Texas to visit with her father, James, and mother, Pauline.[30] Pauline Fawcett died soon after, on March 4, 2005, at the age of 91.[31]

Cancer and death

Fawcett was diagnosed with anal cancer in 2006,[32] and began treatment, including chemotherapy and surgery.[33] Four months later, on her 60th birthday, the Associated Press wire service reported that Fawcett was, at that point, cancer free.[34]

Less than four months later, in May 2007, Fawcett brought a small digital video camera to document a doctor's office visit. There, she was told a malignant polyp was found in the area where she had been treated for the initial cancer. Doctors contemplated whether to implant a radiation seeder (which differs from conventional radiation and is used to treat other types of cancer).[35] Fawcett's U.S. doctors told her that she would require a colostomy.[36] Instead, Fawcett traveled to Germany for treatments described variously in the press as "holistic",[37] "aggressive",[38] and "alternative".[39] There, Dr. Ursula Jacob prescribed a treatment including surgery to remove the anal tumor, and a course of perfusion and embolization for her liver cancer by Doctors Claus Kiehling and Thomas Vogl in Germany, and chemotherapy back in Fawcett's home town of Los Angeles. Although initially the tumors were regressing, their reappearance a few months later necessitated a new course, this time including laser ablation therapy and chemoembolization.[8] Aided by friendAlana Stewart, Fawcett documented the highs and lows of her battle with the disease.[36]

In early April 2009, Fawcett, back in the U.S., was rushed to a hospital, reportedly unconscious and in critical condition.[40][41] Subsequent reports, however, indicated that the severity of her condition was not as dire as first reported.[42] On April 6, the Associated Press reported that her cancer had metastasized to her liver. Fawcett had learned of this development in May 2007 and her subsequent treatments in Germany had targeted this as well. The report denied that she was unconscious, and explained that the reason for Fawcett's hospitalization was not her cancer but a painful abdominal hematoma that had been the result of a minor procedure, according to the Los Angeles cancer specialist treating Fawcett, Dr. Lawrence Piro. Her spokesperson emphasized she was not "at death's door", adding "She remains in good spirits with her usual sense of humor ... She's been in great shape her whole life and has an incredible resolve and an incredible resilience."[42] Three days later, on April 9, Fawcett was released from the hospital, picked up by longtime companion O'Neal, and, according to her doctor, was "walking and in great spirits and looking forward to celebrating Easter at home."[43]

A month later, on May 7, Fawcett was reported as being critically ill, with Ryan O'Neal quoted as saying that she now spends her days at home, on an IV, often asleep.[44] The Los Angeles Times reported that Fawcett was in the last stages of her cancer and had the chance to see her son Redmond in April 2009, although shackled and under supervision, as he was then incarcerated, Fawcett seemed not to notice. Her 91-year-old father, James Fawcett, flew out to Los Angeles to visit with Farrah, his only living child (her sole sibling, sister Diane, had succumbed to lung cancer in 2001).[45]

Her doctor, Lawrence Piro, and Fawcett's friend and Angels co-star Kate Jackson — a breast cancer survivor — appeared together on The Today Show dispelling tabloid-fueled rumors, including the suggestions that Fawcett had ever been in a coma, had ever reached 86 pounds, and had ever given up her fight against the disease or lost the will to live. Jackson decried such demoralizing fabrications, saying they "really do hurt a human being and a person like Farrah". Piro recalled when it became necessary for Fawcett to undergo treatments that would cause her to lose her hair, acknowledging that "Farrah probably has the most famous hair in the world", but acknowledged that it is not a trivial matter for any cancer patient, whose hair "affects [one's] whole sense of who [they] are". Of the documentary, Jackson averred that Fawcett "didn't do this to show that 'she' is unique, she did it to show that we are all unique ... (T)his was ... meant to be a gift to others to help and inspire them."[46]

The two-hour documentary Farrah's Story, which was filmed by Fawcett and friend Alana Stewart, aired on NBC on May 15, 2009.[44] The documentary was watched by nearly 9 million people in its premiere airing[47]and it was re-aired on the broadcast network's cable stations MSNBC, Bravo and Oxygen.

In June, O'Neal asked Fawcett to marry him. She accepted his proposal and O'Neal said the wedding would happen "as soon as she can say yes."[2] The two never married.[48]

Fawcett died at 9:28 a.m. PST[49][50] on June 25, 2009, in the intensive care unit of Saint John's Health Center in Santa Monica, California, with O'Neal and Stewart by her side.[51][52]

An hour-long special episode of 20/20 will air on ABC TV at 10 P.M. Thursday, June 25, 2009. The show will feature clips from several of Barbara Walters' past interviews with Fawcett as well as new interviews with Ryan O'Neal, Jaclyn Smith, Alana Stewart, and Dr. Lawrence Piro.[53]